the second installment for the label comes from sheffield based artist tommy vicari jnr. the ep starts with always be here, track which gives the release the name and sets up the mood with an uplifting vibe. rudow explores more esoteric realms, bringing you into deeper states of mind. ramshackles ventures into more dub influenced territory, expansive chords and a twisted beat make it a monster in big sound systems. untoucome closes the ep with a heavy bassline, sprinkled with some tripped out sounds making it perfect for a closing trip.

rohe und ungestüme wiederveröffentlichung einer raren salsa-platte von 1970.

banana hill is a london-based party helmed by cervo, and it s built a sterling reputation for embracing all manner of global grooves. now the party is spreading its wings by starting a record label that kicks off in fine style with the sound of multi-instrumentalist majid bakkas, a moroccan musician with many strings to his bow. both tracks on this 12- have been given a delicate shove in the direction of the dancefloor thanks to cervo, who pitches his kicks and claps just right to make for utterly natural sounding party fodder of the highest order.

having originally surfaced on dj deep s deeply rooted house label back in 2011, the appropriately named bleak brings his stern ekko track back into focus on his own naura label, inviting two titans of contemporary techno to do the remix business on the track. first up is skudge, who get things marching at an urgent pace with their usual knack for ear snagging sonic hooks and unrelenting kick drums. meanwhile markus suckut makes a more weighty interpretation of the track, slowing the tempo and adding all kinds of sub pressure to make for a truly killer workout. as a bonus, the original track is present on the b-side in all its mean-tempered glory.

2017 repress in regular sleeve.
it is time for the third owner of taapion records to make it on the spaceship. for the fifth release but mainly his first ep, awb presents two original tracks both remixed by his brothers in arms.

material crew on a va nailed by jamie, richie, mihalis and more.

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

mannella brings a rousing 12’’ ep, enclosing a sunil sharpe’s remix done with the forthright purpose of make you go ape. the original mix of “nibiru road” is a ever-changing techno story, told by a steady groove and such a badass kick-drum. a vitalizing ebb & flow of that rubbery synth and that melodic, a bit saturnine pad, that let you fly to the next planet. “fourth dimension” has been recorded from one of the live performance that mannella is doing under dahraxt alias. the hypnotic bubbly atmosphere created around that chopped pad, delivers this track to another dimension of delight, giving it a unexpected slant. sunil sharpe doesn’t need introduction, since his multiple releases on imprints such “trensmat”, “labrynth”, “mord”, “mindcut”, “inner surface”, “works the long night” , “black sun records” or his own “on the hoof” to name a few, have made him the well appreciated artist that today he’s. with this rework he confirms how much enthralling his charisma is. jts004 “it can only be attributable to human error.” cit.

the third record by vienna-based label secret crunch is ready to be unleashed. this time with various artists from all over europe.

sampling as an art is a concept: taking samples away from their origins forward something new, emotional or even funny. -le grand détrounement- was a movie made in the 90 s by great actors of french media -canal+-. it took several 50>80 s movies with classical american actors, cutting them and redubbing to make a big funny story. s3a records is delighted to welcome a new french artist, who wanted to make the same on his music with this project. s3a rec is very excited to present 6 tracks ep between minimal sampled house music and dirty hip hop!

distorted releases # 005, 006 & 007 all bundled up for one special price!

sequel is about rebirth. its the culmination of everything i have loved, lost, learned and experienced in the last 10 years as a musician, he says. this cycle is the only constant factor in my music and my career, and by learning to accept it, ive come to terms with the music i make. this album is a reflection of who i am right now at this moment. it’s me, no compromise. embracing a fresh approach that combines the use of numerous pieces of analogue gear and recording his own samples in the field, the album represents the new sound of sql in its purest form. vital sales points: bloody great album with beautiful artwork. the one and only ro sakhardande of jukebox rocking the pr with many articles about the album confirmed.

in the collection ‘i got soul’, this new release, ‘groove wash’, is a reference to the movie ‘car wash’. same ingredients as the the previous volume : a bit of blaxploitation, some seventies soul mood, wah wah guitar and lots of groove !

dahlia is a new record label out of scandinavia. focused on bringing you deep dancefloor tracks from new and so far unknown producers. each record carefully put together to make a versatile arsenal of music. handy dj tools for warm up, peak-time and after-hours!

eric fetcher has been given the honour of contributing to invite’s choice and does so with a four-track banger for its ninth output.
kaissa’s neurotic synth and wobbly bass combined with its forceful hi-hat open this ep in a stripped-down fashion, which makes it perfect to build tension and make transitions in any dirfections while mixing. mephisto continues on the path chosen with coherent and hypnotising synthesis, whilst keeping a funky kind of feel due to the very present kick and hi-hats, yet has a darker feel to it. deep blue on the b-side is a more four-to-the-flour track with a rousing synth and banging hi-hat, perfect for lifting up a crowd! cray blitz combines hypnotising bleep-like sounds and a mind-blowing string with droning low-end sounds. hypnotising like the other tracks - but with more drive - this ep is closed down. eric fetcher showcases his take on techno which fits perfectly between both modern day and oldschool techno!

we once again have the pleasure of introducing a new unit comprised of some old friends to the world! luces is felix bloxsom, otherwise known as plastic plates, and caleb cornett, a.k.a. amtrac, and its here on lph that they make their debut with habitual ritual, a big-room epic with an undercurrent of classic deep house and disco vibes running through it. the three originals included in the package are driven, pumping whompers that crescendo and dissolve into breakdowns sublimely. the remix, by autofac (shit robot, juan maclean) is a dubby, stretch-out take on the titular track. prime-time fodder for club floors and pump-up mixes alike

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

adult only 47 has arrived with pierre codarin dropping some funk on 3 originals alongside a remix from dan ghenacia and chris carrier.........a1 telefunk kicks off things and rolls with a wonky filtered drum pattern picking up a real swung groove before a subtle vocal is then joined by a bass line can only be described as something from a late night jazz workout in the deepest darkest realms of the parisian capitol...detroit style pads and intricate keys keep this groove interesting through out the track pushing it forward more and more with sweet drum edits and skips that are all to known from pierre. a2 morning eyes twists things up with trippy spacey pads and a very nice 303 sitting low in the mix. driving drums make this track work well as it draws to a stripped back moment where the 303 really comes through and does its thing. this really is 6 minutes of a funk fueled adult only workout!b1 telefunk remix dan ghenacia and chris carrier dan and chris bring their twist on pierre s telefunk coming through with a very interesting take on things producing a very tight rework........... b2 evening juice grooves along with a nice warped synth stabs, a bass line that throws it self around the room, the drum pattern keeps things energetic through out alongside a faintly obscure vocal fitting well in the track, evening juice brings the soul and finishes the ep nicely making this overall a very solid package from pierre.

nice price deal !!! unique compilation of house, minimal and techno combined with futuristic dance elements make this to a solid techhouse 3 track ep incl lopazz remix

house crime bounce back into the mix following the utterly essential steven bc release with this sixth jaunt through tough and rough beats from the backalley of the house music story, this time narrated by anthony fade. the drums are dirty distorted machine splatters, the synths wobble under the weight of their own fuzziness and the samples crunch like they fell prey to the ropiest of mpcs, and that s precisely why fade s jams are so damn hot. wild 9 (acid mix) is especially potent, using a simple but deadly 303 line and all kinds of hectic textures, and bout it manages to make melodic deep sound as mean and nasty as it ever should.

“kosmos gets harder” series brings a new alternative sound of the label and shows dark sides of the artists you might thought you knew. tougher, harder, banger! the double vinyl release includes the full album on cd.

nice price deal !!! decalicious is like digitalism, a dj duo from hamburg. their sounds are electro-techno, funky and yet pretty bangin . judging by this second release, it looks like marc & hagen could well make a name for themselves fairly quickly. urlaub im süden basically is a catchy riff that rattles and rolls with solid highs and lows. it is coming out with a couple of remixes by larsz chaptier & fukkk offf and gets big support already from digitalism, azzido da bass, boris dlugosch, moonbootica, jerry bouthier, sono, malente, mstrkrft & gang bang.

one of the rarest funk 45s in existence and the rarest 45 on ellis taylor s forte label flipped with a previously unreleased acetate (has a little bit of background noise but what you gonna do when there is only one copy in the world, we did out best to make it sound good and it does). both tracks are stone cold deepfunk killers. super black is from the tapes and sounds amazing (better than the original) so go destroy a club with this.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

welcome to gully records second miscreant missive. brighton-based badman etch stepping up and coming incorrect with the chopped beats to make you screw. to be released on clear hand-numbered 7” vinyl as was deemed appropriate. “synapse cluster” is a proper slo-mo headbanger for the downtempo grunge-hop fan. deadly dankness. “labyrinthian contours” takes you on a journey of 3 stages. during the 3rd - time is reinvented. natch. this 7” single is a beautiful piece of work incorporating psychedelic art and cosmic numerology. look out for his full length double vinyl release on gully later this year.

to forget the pursuit of harmony. to recall the past to make a future. forever seeing yourself reflected, feeding back in eternal repeating cycles. a dialog with oneself within the natural world. choosing a final destination as the journey ceaselessly repeats. i hope to share what ive experienced in this big journey. i hope you will feel both a sense of nostalgia, and a sense of newness. that makes our harmony. kazuomi eshima

reissue of this 1981 debut album by new age pioneer jd emmanuel. check! . texan musician jd emmanuel s career story is, in a way, a story about how the passion of fans can make a difference, about a gifted musician whose music may have been lost to the ages had it not been for the efforts of a new generation of vintage electronic and new age music enthusiasts and collectors.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

impulsive? of course. hypnotic? sure! hip shaking? make a guess! cab drivers diving deep on this release. 3 tracks that will bring a nice mood to the floor with basslines and grooves you expect from this berlin based duo daniel paul & zky. play it loud to your crowd !

after 10 years of releasing on some of the most respected labels in the scene including 31 records, commercial suicide and samurai music, soul intent is to release his first solo album via his own imprint, lossless music. the album features collaborations with chromatic, jazz vocalist sue mae, as well as his old dataset band mate chris gittins.
in soul intent’s own words: “i wanted the make an album that had continuity but also showed all the vibes and styles i m into as a producer, dj and general lover of this music. hopefully it’s an album of substance and people enjoy the journey.”

wage slave boss and founder attentat takes the company to the bank on this pummelling three tracker. techno built for cashing cheques and breaking necks with an extra added banker-bonus - one sick and twisted re-make of title track reflective surface by la based artist israel vines. big room techno that subverts the board room. you’re hired.

jacob long s work as earthen sea has already firmly established itself on itals lovers rock label, but here the san francisco-based artist is branching out to a sympathetic ear silent season. much like other artists on the label, long s fusion of heavy atmospherics and submerged techno make for a compelling, immersive listen. at times, such as on -the sky is a sea of darkness-, he opts for a looming set of pads and textures that bear down on the listener. elsewhere, more delicate sounds interact across the frequency range, but what binds the record together is the weight of the ambience long is so adept at crafting. without a thread of a kick drum pulse to be heard throughout, it s another strong step on for earthen sea.

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

one of the core members of the apollonia family is the mastermind behind the label’s latest release. shonky steps up with his first solo ep since ‘plombiére’ which dropped in july 2016. full of funky flavours and that distinct ‘shonky style’, the new ep consists of four brand new tracks produced exclusively for apollonia. each track emanates its own unique vibe, while reppin’ shonk’s irresistible groove. on side a we have ‘tyrolien’, a jaunty number with bright tones and a tight, rolling groove. shonky injects it with a series of unusual fx and what sounds like an wizened old creature, speaking about ‘the foulest stench in the air’. it’s a superb combination and sets the ep off to a great start.next up is ‘beat street’ which has a heavier set of beats, which stomp down as a marauding b-line gets to work. tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. the track is minimal in its make up, but deep and engrossing, classic shonky material.flip the vinyl over and we have ‘torro rosso’, a bold, stomping workout with fresh percussion and a jovial analogue riff. as the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. the final track is titled ‘serpent a&#768,,, sonnette’ and swithes the vibe. it’s loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. this one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. feel the glow!once again shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint, danceable, unusual and utterly captivating. grab the new ep now!

you re alone and you close your eyes. don’t imagine figures of light, make the darkness conscious. it becomes deeper, not eyelids anymore, and then something is around you, but you can’t open your eyes, you’re deep inside them. merge into oneness, not bright above not dark below. something with has no echo. waves and motion, not space and time. if a tree falls in a forest where no one is listening, does it make a sound? there are no signs in the snow. why this dream of something cold? the world is blue at its edges, the colour of that which can never be possessed. blue flames, deep ice, twilight. how do you observe yourself without knowing that you’re looking? the other side of your face. why don’t you let the gap be a gap? i was afraid there was too much space. when you stop focusing the image appears. everything seen at once. turn yourself into a point to get behind the surface. a messenger between two worlds. the hidden meaning behind alchemy: to be born again. you’re not born into this world but out of it. travel by heat, words are too slow. sound knows how to get around edges, wiser than light.

the man known as dj nature holds a long and illustrious list of releases that spans all the way back to the early 90s, when, as nature boy, the bristol born dj and producer was carving out sample heavy house music for labels like ruff disco records and the underworld affiliated tomato label. his relatively modern re-incarnation, as dj nature, has seen singles and two albums come correct on revered labels like golf channel recordings and jazzy sport. following on from futureboogies landmark 50th release, dj nature drops a heavyweight four track ep on the bristol label, each track promising and delivering summertime vibes in abundance. born lifted, with its deft guitar licks and soulful vocal chops over lazy, hazy beats, is a great example of the nature aesthetics that make his tracks so very popular across the house fraternity. my life picks up the pace, deploying granite hard snares and cosmic chords with dusted vocal samples. on the flip, what it isnt packs some jazz chops with its sampled pianos and saxophone riffs over a discordant beat that swings with the best of them, whilst ep closer loving u more again serves up some delicious summertime grooves with the perfect marriage of deep, funky bass and seductive samples.

the secret squirrels are non-stop in their search for irresistible, raw and tracky disco-tinged grooves that are primed and ready to slay your dance floors. the first offering here works the chunkier and funkier side of the woods, while the flip gets all late night, dirty and ecstatic on you. don t feed the animals when you can make them dance.

doppel-ep auf pink & blau gefärbtem vinyl, inklusive downloadcode für das komplette release plus bonus-track „that thing“.
zum einen sind da die verschwommenen, direkten songs von „never going home“ mit denen hazel english ihre erste aufmerksamkeit erlangte, zum anderen ist auf „just give in“ die blühende, kreative partnerschaft mit jackson philips (aka day wave) zu hören. die beiden trafen sich, als hazel in ihrer wahlheimat oakland in einem buchladen arbeitete und jackson, auf dem weg seinen synthesizer reparieren zu lassen, kurz vorbeischaute. die beiden kamen ins gespräch und beschlossen kurz darauf zusammen musik zu machen. eine zufallsbekanntschaft ohne die diese doppel-ep vermutlich nie zu stande gekommen wäre. jeder der songs hat eine zeitlose, sonnengeküsste Ästethik inne, die von hazels direktem stil und ihrer pop-sensibilität nochmals hervorgehoben wird. hochansteckender dream-pop trifft auf ehrliches songwriting. auf einem beach-pop-fundament aufbauend schafft es hazel english mit „just give in / never going home“ einen vibe zu erschaffen, der sich in jeder umgebung wohlfühlt.

a staple album since its release in 1998, ‘heavenly’ is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, heavenly (revisited) is set to make history once more.

german producer christian burkhardt teams up with fellow countrymen chris wood & meat for a three-track release on jamie jones hottrax this may. burkhardt has been flying the flag for minimalist electronic music for a decade now, releasing on labels such as cocoon, oslo and pressure traxx. likewise, freebase records founders meat + chris wood have been purveying deep and minimal cuts individually since the ‘00s, joining forces in 2009 before releasing on labels like desolat, housewax and tiefschwarz souvenir. between the three of them theyve continually garnered support from the upper echelons of house and techno, making regular appearances in the sets of names like ricardo villalobos, sven väth, seth troxler and jamie jones. intricate percussion and a compelling bassline make up the foundation of closer 2 u as an echoing vocal and tense strings operate throughout. meanwhile, plain is a more downtempo cut in comparison with its dusky atmospherics and distorted spoken word samples that subtly permeate throughout the mix. on the flip, trumpad is deep and dubby whilst integrating trippy synths and mesmerizing effects for a rhythmic conclusion.

medea tells its story within a deep but powerful ambient soundscape that will make you dive into dark hypnotic psychedelia. don’t forget to wake up… inflict is a futuristic sub-bass heavy broken techno roller. driving but refined, full of subtle variations and intricate sound design where idm, jungle and electro unite. both tracks have been magnificently mastered by pole at scape mastering in berlin. from 2008-12 pierre serafini ran airflex labs, one of the first french labels to release uk inspired bass music, and since 2012 he has been producing and djing under his more techno and electro inspired moniker peev. throughout the varied steps of his career, his musicality and meticulous attention to detail have seen him forge multiple connections and alliances: notably through his work promoting his residency haste at lyon’s iconic le transbordeur. haste lasted over half a decade and brought multiple international artists from the post-dubstep and uk continuum to lyon, where they shared the stage with local artists, helping develop the environment that has seen lyon blossom as a scene in recent years. pierre has now been active as a dj and producer for over 15 years, sharing stages with the likes of autechre, blawan, mount kimbie, shackleton, umwelt, andy stott, plaid, hodge, lee gamble, pearson sound, objekt, call super, joy o, beneath, leif, and many more. in 2016, serafini released the highly anticipated “delia” ep, which was the first title on french stalwart oxyd’s new label intramuros. the fine blend of idm, industrial, techno and ambient music, refined over decades in his precise productions has made peev one of the most exciting contemporary artists in the renascent french scene.

much needed re-issue, on expansions, of retta young s rare 1976 soul/disco album young and restless . includes the amazing down tempo really really and disco anthem my love is on his way amongst other great tracks.

wild oats is proud to present speed of life, a new record from london based producer k15. this 6 track double ep explores the idea of the sense of urgency that life can have depending on the frame of mind one is in. we encourage you take time to do some inner exploration to understand what the best use of your energy is in order to have the most harmonious experience you can have in your life. having a good balanced life starts with the physical and mental state you are in. what we consume on all levels whether orally, visually, sonically or tactilely influences how we think, feel, and react to our environment. this record is the perfect re-calibration tool using vibration to get your mind, body, and soul back into a balanced state. all the while, having a wonderful listening experience that will warm your heart, put a smile on your face, and make you dance.

schlachthofbronx conclude their haul & pull up series with another strong statement of an ep. in their trademark hybrid style, the munich bass boys showcase their versatility from writing hypnotic and sensual electronic melodies all the way to the ruffest club weapons. keeping close to their roots, all of these tunes have been extensively tested on big soundsystems to make sure they make a lasting impression.

laate returns with the mysterious jack keo! our man was born and raised in the southwest of england, he got his first pair of decks at 9 years old and started producing at 19. for this fourth release, jack keo delivers 3 originals tracks. on a side, -module-e1 - is a heavy house tool with a groovy bassline and its organics sounds, catchy!!! on b1, jack show his deep face with -fondue-, he make us travel a little bit more by using space synth, cosmic sound and voices cut. to finish - apron - is a pure minimal track, strong bassline and female vocal increase the freaky atmosphere!

planet mu are very excited to announce jlin’s long awaited second album “black origami”. a percussion-led tour de force, it’s a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.
“black origami” is driven by a deep creative thirst which she describes as “this driving feeling that i wanted to do something different, something that challenged me to my core. black origami for me, comes from letting go creatively, creating with no boundaries. the simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. composing music for me is like origami, only i m replacing paper with sound. i chose to title the album -black origami- because like -dark energy- i still create from the beauty of darkness and blackness. the willingness to go into the hardest places within myself to create for me means that i can touch the infinity.”

“the future is there…looking back at us. trying to make sense of the fiction we will have become” - william gibson
future déjà vu is a berlin based techno label. behind such paradoxical definition of time lies an elementary objective: the promotion of a functional sound, able to be immediately usable on a techno-floor. the immediacy of the sound becomes in turn paradox itself and its planes turns into power.

limited repress! rackmizar had his second encounter and the next installment has finally landed. teluric brings us ptolemy ep, named after the greek mathematician and astronomer. with four tracks this release is set to make you dance, think and gaze at the night sky looking for the constellations orion, aries, gemini and cygnus.